RED WEAPON HELIUM 8K Limited Edition
1 December 2014
Only 50 shipped worldwide! The WEAPON® with HELIUM™ 8K S35 delivers stunning resolution and image quality—creating smooth and organic images that bring your footage to life. At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K. 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more. The WEAPON 8K S35 combines advanced color science with incredible dynamic range.
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RED WEAPON HELIUM 8K
2 November 2014
WEAPON® with HELIUM™ 8K S35 delivers stunning resolution and image quality—creating smooth and organic images that bring your footage to life. At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K. 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more. The WEAPON 8K S35 combines advanced color science with incredible dynamic range.
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ARRI ALEXA Mini
15 August 2014
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world. For the full list of specs, please visit: ARRI AMIRA
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ARRI AMIRA
1 August 2014
ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your...
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Panasonic AJ-HPX2700G
15 June 2014
Recognized globally as the industry’s premier digital cinematography camera, Panasonic’s VariCam HD Cinema Camera has established itself as an indispensable acquisition tool delivering the distinct, prized look of film. The P2 HD VariCam series advances the art of high-end digital cinematography, combining the exceptional reliability and fast workflow of solid-state technology with master-quality, 10-bit 4:2:2 AVC-Intra recording; and the creativity of variable frame rates and shutter speeds to produce beautiful images for movies, documentaries and sports.
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Sony PDW-F800
15 June 2014
The PDW-F800 camcorder offers multi-format recording flexibility as standard – including SD recording and a frame rate of 23.98P in 1080 mode. It is equipped with three 2/3-inch type CCDs and a “Power HAD FX” progressive CCD with 1920 x 1080 effective pixels. Stunning-quality HD images can be captured by this high-resolution CCD and advanced digital signal. On top of the exceptional technology, the PDW-F800 offers very high quality HD recording at a data rate of up to 50Mbps using the MPEG-2 4:2:2P@HL compression. It also provides multi-format recording flexibility including 1080i, 720P and SD, which comes with HD/SD conversion...
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Panasonic AG-HPX170
11 June 2014
The AG-HPX170 is an ultra-mobile P2 HD handheld camcorder featuring full, 4:2:2 independent frame production quality HD and solid-state recording. Based on the AG-HVX200 series, the lighter HPX170 is fully solid state and comes with a host of enhancements including a new 1/3″ progressive 3-CCD imager system, wider Leica Dicomar 13x lens, an HD-SDI interface, metadata input and management.
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sinaCAM System
11 May 2014
Our sinaCAM system consists of 2x HDC1-100 Camera Heads, 1x HDC1-200 Base Unit and 2x C-Mount lenses. sinaCAM is a small remote head HD studio camera for professional 2D/3D broadcast and cinema production. Two signals of two sinaCAM remote heads are processed by the same image processor. This enables Pixel synchronous 3D output, identical image properties, like white balance, brightness and contrast, C mount threads and the option to adjust the back focus by changing the flange back distance make it possible to use C mount lenses for professional production. ASK US about upgrading your sinaCAM package to include Kowa 11-77mm or...
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